Maryland Institute College of Art
Ellen Lupton and Chris Jones, Maryland Institute College of Art and Emily Carr University of Art and Design
– Christopher Hethrington, Emily Carr University of Art and Design
11:00 – 12:30 – Saturday, Nov 9th
“Lightening Rod Responses and Wrap Up with Participants”
Carol Strohecker, Vice-Provost, Academic Affairs, Rhode Island School of Design, Ron Burnett, President, Emily Carr University of Art and Design, Michael Weiss, Associate Dean and Professor of Fine Arts, Maryland Institute College of Art
The 2013 AICAD Symposium will focus on the premise that the cultural, technological, and economic conditions affecting art and design education today argue for bold new approaches in the form and organizational framework of its delivery as well as its content. It will seek to bring Faculty, Deans, Provosts, and Presidents from AICAD member schools into a joint exploration of this premise that will be centered upon the following sequence of themes and related questions:
- What is the profile of the art/design student today?
- What do our graduates do with their degrees?
- What are the changing external environments and changes in the creative industries?
- How are economic considerations affecting options within higher education, particularly in our member schools?
- What is the impact of actions/positions taken within accrediting bodies and the Department of Education on curriculum development and delivery?
- How do students learn?
- What has changed, what is constant?
- What does the latest research in cognitive-neuro science tell us? What are its implications for pedagogy and student learning?
- What are the implications of on-line teaching/learning such as MOOCS or social media/social networks for art and design colleges?
- What do students today need to know?
- What do we add? What is new?
- What do we keep? Is there content that has been traditionally taught that is no longer necessary or should be renovated?
- What is the case for the traditional disciplines?
- What is the appropriate relationship between studio, academics, and professional development programming?
- What is the appropriate role of interdisciplinarity? Or, where is the intersection between art/design education and other disciplines, e.g., sciences, engineering, business? What new areas of investigation/content do these relationships suggest?
- What does research mean for the education of the artist/designer?
- What is the role or relative value of external engagement in art/design education?
- What is the role/relative value of international engagement?
- What are the implications of content changes on desired outcomes?